{"id":463,"date":"2018-06-12T08:45:00","date_gmt":"2018-06-12T08:45:00","guid":{"rendered":"https:\/\/blog.smallpage.online\/2018\/06\/12\/st-gregory-of-nyssa-on-music-and\/"},"modified":"2022-07-26T12:06:57","modified_gmt":"2022-07-26T12:06:57","slug":"st-gregory-of-nyssa-on-music-and","status":"publish","type":"post","link":"https:\/\/catalog.obitel-minsk.com\/blog\/2018\/06\/st-gregory-of-nyssa-on-music-and","title":{"rendered":"St. Gregory of Nyssa on Music and Mediation in a Christian’s Life"},"content":{"rendered":"
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In his On the Making of Man, St Gregory of Nyssa likened the human body to a kind of musical instrument, played upon by the mind of man. In the same work, he dismissed as pagan the idea of man as microcosm. Yet later, in his dialogue On the Soul and the Resurrection, Gregory espoused precisely this notion of microcosm in order to express the mediatorial role of the human being between intelligible and phenomenal realms. Finally, in his commentary On the Inscriptions of the Psalms, Gregory brings together both his musical analogy and the notion of man as microcosm and mediator, synthesizing and expanding these tropes in a more broad-ranging vision of man\u2019s place within the angelic and visible creation.<\/div>\n
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According to Gregory, \u201cman is a miniature cosmos and contains all the elements of the great cosmos. And the orderly arrangement of the universe\u2026 is a diverse and variegated musical harmony which has been tuned in relation to itself and is in accord with itself and never distracted from this harmony even though a great distinction of essences is observed in the individual parts.\u201d Man is both a miniature of this musical cosmos, and an image of the one who made it. Being microcosm, the harmony of the whole world is reproduced in man himself: \u201cFor just as in a fragment of insignificant glass it is possible to see the whole circle of the sun reflected in the gleaming part, as in a mirror, as though the smallness of what is gleaming contains it, so also all the music perceived in the universe is seen in the miniature cosmos, I mean in human nature\u2026 Even the instrumental\u00a0 \u00a0uipment of our body, which has been artfully devised by nature for the production of music, proves this.\u201d<\/div>\n
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Gregory likens the whole of the original creation to a dance and chorus, which looked to the one choirmaster, interpreting his song in harmony. Yet sin introduced disharmony, and removed human beings from this chorus. Only through Jesus Christ, and after trials of purifying hardship, are human persons restored to the chorus and the dance. Thus, the \u201ccymbals\u201d which close the book of Psalms (Ps. 150:6) \u2013 representing the final stage of spiritual ascent \u2013 indicate the unity of angelic and human natures in divine praise. This unity is accomplished through the work of Jesus Christ, who unites all things separated by sin and exalts human nature to a glory comparable to that of the angels.<\/div>\n
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The music which reflects the wisdom of God in creating the cosmos is expressed in moderation and good order. The concord of creation is a harmony of opposites which produces a hymn of glory to God. \u201cThe accord and affinity of all things with one another which is controlled in an orderly and sequential manner is the primal, archetypal, true music. It is this music which the conductor of the universe skillfully strikes up in the unspoken speech of wisdom through these ever occurring movements.\u201d Such polyphonic music of creation is a pattern of intelligible meaning unheard by the senses, but discerned by the mind when it transcends the limitations of the flesh. It is this music, Gregory says, which the psalmist David heard when he described the heavens as declaring the glory of God (Ps. 19:1).<\/div>\n
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Human existence is a kind of music. The question is what kind of music \u2013 whether it is in accord with God and the nature of the cosmos or not. This question for Gregory has to do with the proper ordering of daily life. For Gregory, the good life is kata physin: in accord with nature. The Psalms also are a music in accord with nature. The Word of God \u201cadmonishes that your life be a psalm which does not resound with earthly sounds, but by sounds I mean thoughts, but which produces a sound from the upper and heavenly realms which is pure and audible.\u201d Man\u2019s life becomes a well-ordered psalm precisely through praying the psalms and putting into practice their divine teachings. The rhythms of their words nd music heal the rhythms of human life, bring it to harmony and moderation:<\/div>\n
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\u201cIn this singing nature reflects on itself in a certain manner, and heals itself. For the proper rhythm of life, which singing seems to me to recommend symbolically, is a cure of nature. For perhaps the very fact that the character of those who live virtuously need not be devoid of the Muses, unharmonious and out of tune, is an encouragement to the more sublime state of life. Neither must the string be drawn taut beyond measure, for that which is well-tuned certainly breaks when it is strained beyond what the string can bear, nor on the contrary must one slacken the tension immoderately through pleasure, for the soul which becomes relaxed in such passions becomes deaf and dumb. In all other matters we must tighten and relax the tension at the right time, looking at this, that our way of life in the customs may continue always melodious and rhythmical, being neither immoderately slack nor strained beyond measure.\u201d<\/div>\n<\/blockquote>\n
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As evidence of the healing power of music, Gregory cites the example of David\u2019s healing Saul\u2019s mental disturbance with song. This example, says Gregory, shows that the symbolic value of music is for the healing of the passions. This is not true of all music, but rather of sacred songs composed by those who are not \u201coutside our wisdom.\u201d<\/div>\n
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The goal of man\u2019s life, however, is expressed not only in music, but music combined with words. \u201cPsalm\u201d for Gregory means music, whereas \u201csong\u201d means words with music: music whose meaning is made outwardly intelligible. \u201cWhen we hear a song, we learn in an enigmatic way of the decorum of life concerning the visible world.\u201d This, according to Gregory, would not be the case with purely instrumental music. Gregory associates pure \u201cmusic\u201d with speculative philosophical theory concerning the good, while \u201cwords\u201d indicate the life of praxis. \u201cThe psalm of a song\u201d (Ps. 92:1 LXX) indicates the combination of \u201cmusic\u201d and \u201cwords,\u201d signifying the perfect unity of theory and praxis, thought and action, which is the Christian ideal. \u201c\u2018A prayer with a song\u2019 enjoins us equally to be zealous about our life first, so that nothing unrhythmical or out of harmony should occur in our daily pursuits, and then to approach God though prayer. Only if our life is in accord with David can we then have the boldness to \u201cpraise\u201d God
\nwith a prayer like his.<\/div>\n
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This unity of thought and bodily life, of theoria and praxis, is related to man\u2019s role of mediator. At the height of virtue and divine vision, of imitation of the invisible God, man nevertheless retains a bodily visibility, a face with which he relates to the visible world of men. The person who achieves the vision of God such as Moses enjoyed \u201cstands as a kind of boundary between the changeable and the unchangeable nature and mediates, as it is appropriate, between the two poles. He offers supplications to God on behalf of those who have been converted from sin, and he transmits the mercy of the supreme power to those who need mercy.\u201d It is precisely unity with, and imitation of, the changeless divine that tunes and orders the rhythms of this changing earthly life, making of it a harmonious music \u2014 in concord with the angels.<\/div>\n","protected":false},"excerpt":{"rendered":"

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